To the right here in the picture you see the Nine Inch Nails DOTS sequencer that can be purchased via the itunes App Store. It is a basic music sequencer that allows you to create a “kick snare” beat and control loops on the fly. If done correctly, one can actually re-create NIN’s Echoplex that is off of their album The Slip.
Let’s backtrack a lil bit here…
The Slip by Nine Inch Nails
- Released for free on NIN’s official website May 5, 2008
- CD was Released July 22, 2008
- Nine Inch Nails 7th studio album
- Album was released for free under a creative commons license
- Released digital through band’s official website
- Album peaked at 13 on Billboard’s Top 200
- Over 2 million digital download before CD release
- Physical release sold over 98,000 copies
So, its true. Trent Reznor headman of NIN loves his fans and his fans love him back just the same. Personally, NIN is one of my favorite bands. He is so innovative when it comes to writing music and marketing the band alike. Before selling The Slip, NIN decided to give the album away on their own official website. At that time, referring to the new album, Reznor said, “Thank you for your continued and loyal support over the years – this one’s on me”. That’s just awesome! A famous musician personally giving back to his fans.
As a fan this totally motivates me to purchase future tickets, merch, or music in the future! What a great way to utilize e-marketing!!!
Lights In The Sky Tour
During this tour NIN pushed their album The Slip hard to say the least. Echoplex was one of their songs that was part of their set. To start the song Trent touches the huge sequencer on their set to start the song. You just have to see it for yourself!
And it doesn’t stop there!
NIN also released a rehearsal session of the same song where it shows the drummer making a drum beat with a similar sequencer. You’ve gotta watch this too!
So I bet you can guess where this is heading…
On purpose NIN visually included the sequencer both live during shows and in the music video that you just watched. They did this with intention of creating a sequencer app for the iphone, sorry guys, but Droid doesn’t. Anyways, by the time the NIN DOTS sequencer app was released practically every fan was familiar with the sequence.
and this is where it gets interesting…
With the DOTS application you can totally re-create the song Echoplex. However, its not that easy. I have it on my phone by the way! Sorry, anyways when I first started playing on it I was not able to just crank out the beat and play the samples in the right order. I had to listen to the song over and over, I had to watch the live videos over and over, I had to watch the music video over and over before I actually mastered the app. Think about it, exponentially increasing the hits on your videos, which creates a buzz, which engages fans, which keeps fans engaged, and most importantly, gets records sold!!! Trent Reznor is quite the businessman and should be a model for any musician that wants to maximize their exposure! I’m not saying to devise some revolutionary app such as the DOTS.
I’m saying think out of the box and figure out a cost effective way to reach your fans (aka revenue source) and get them engaged. A street team just ain’t gonna cut it!!! Reach your fans on a personal level and secure “return customers” for life!
It is very difficult to establish your market share in the industry! This is how you will stand out!
Aaron M. Schulman
According to Forrester Research…
In 1999 total revenue from music sales and licensing was $14.6 BILLION DOLLARS.
By 2009 total revenue from music sales and licensing was $6.3 BILLION DOLLARS
In ten years time from 1999 to 2009 total revenue shrank 43.2%
Current Situation: Optimistic
The IFPI digital music report 2013 makes 3 interesting points…
1.) “Global recorded music revenues up 0.3 per cent, boosted by downloads, subscription and other channelDigital revenues up 9 per cent, with major music services now open in more than 100 markets”
2.) “Digital revenues up 9 per cent, with major music services now open in more than 100 markets”
3.) “Music is helping fuel the digital economy, but barriers to growth need to be addressed”
The IFPI digital music report sheds some insightful light into the current health of the music industry. Global recorded revenues are up .3 per cent! That’s right, GROWTH. Before 2013, the last year that the music industry saw growth in sales was 1999. Since 1999 up until now, industry sales have plummeted. It’s not rocket science. The music industry pulled a profit this year simply because of digital music purchases and music subscriptions. CD sales, like every year since 1999, declined an additional 5% for 2012 while digital sales rose 9%.
So I hope by this time that you’ve noticed the trend. The digital sale of music is the future. Hypothetically speaking, the meteorite that crashed into the CD sales in 1998 will finally kill off every CD sale by 2019. That’s right you heard it here first, the sale of music CD’s will become a novelty by 2019. This fate is certain.
I’m quite pleased that the numbers for 2012 are pointing in the right direction for the music industry, however, we’ve got a long ways to go and we need to strive, as marketers and musicians, to make this upward curve in digital music sales as steep as we can year after year. This can all be made possible with proper e-marketing techniques and kickass music.
Don’t worry, you can count on the music being kickass, that leaves the whole industry in the hands of marketers. Marketers totally blew it selling CD’s after 1999. The marketing mix for CD’s was so screwed up during that time. 12 track albums were selling for as much as 19.99! That’s ludicrous, and it brings me to my next point. Marketers must convince consumers that there is value in buying a digital album or single because there is an alternative, digital music piracy. When a consumer is faced with making a decision between stealing a free album or purchasing one that’s over priced the consumer will most likely not purchase the album and pirate it online. There are laws in place to punish music piracy, but let’s get real here, these laws only deter piracy an insignificant amount. Without a doubt, the future of music rests solely in the hands of marketers.
How the 3 P’s of marketing should be implemented into the marketing industry:
Product: There are hundreds of thousands of artists worldwide. In a perfect world every musician would get the same amount of exposure and the invisible hand would take care of the rest, however, the world aint perfect. Marketers will be faced with the decision of choosing bands that they feel will generate the most revenue and market them the most. In doing so, market trends must be closely monitored and evaluated.
Placement: Any marketer will tell you that placement is vital. Marketers will define optimum target markets and market the music directly to that target in the most efficient and effective manner as possible. Market research and advertisement is expensive and budgets are finite. The selling of digital music makes it possible for marketers to target music fans in any area around the world where there is an internet connection.
Promotion: Most of the budget towards marketing music should go towards e-marketing. Marketing over the internet will not only be cost effective, but it will also be the most efficient way to reach potential clients around the globe. When I feel the need to bring out my heavy side sometimes I’ll throw the German supergroup Rammstein up in the tape deck. E-marketing of bands such as Rammstein keep me and users alike posted on what they’re up to.
Price: Simple, don’t get greedy and set the price where demand meets supply aka the equilibrium price and the music industry will maximize profits!
Conclusion: Be aware, the music industry is back on the come up! Support your favorite bands and don’t steal music!!!!!!!!
As I briefly touched on in my “About Me” page, the music industry is an ultra competitive market. You have major labels, small labels, independent self promoted artists, and then there’s www.tunecore.com. In reaching out to artists across the globe, Tunecore proclaims, “We put your music on iTunes, Amazon, Spotify and many other stores. We collect and give you 100% of the money from your music sales along with detailed streaming and sales reports” (www.tunecore.com). Basically, Tunecore offers online e-marketing and distribution services to all artists.
At this point I bet you a wondering how Tunecore is a profitable business if they let the artist keep 100% of their royalties. It’s genius. Part of Tunecore’s revenue can be attributed to member sign ups and annual fees. There are a few different tiers and categories that you can choose from when signing up, you can view those here. The other way Tunecore pulls in money is through charging the artist a minimal fee every time they collect royalties via Tunecore.
Now that we understand how Tunecore makes their money, let’s talk a little bit about how they market their artists. Earlier I punched in Tunecore’s url into the Hubspot Marketing Grader. I had a feeling they would be rated high, but I most definitely was not expecting them to have an overall grade of 90. Their high rating can be attributed to their frequent blogging of Tunecore news and releases, their activity on Facebook, their twitter account, RSS feed, and it’s optimized mobile version of the site. In looking at Hubspot’s marketing critique of Tunecore, the number of sites that have links to their site is what stood out to me most. 3,954 sites provide links to Tunecore’s site. That’s pretty good exposure.
Without a doubt Tunecore is more than efficient at utilizing social media to their advantage in order to market their service and artists alike, however this is not the only way their artists are marketed and it doesn’t cost Tunecore a cent. Tunecore distributes music through the following music outlets; Itunes, Spotify, Amazon MP3, Deezer, Simfy, Rhapsody, Myspace, Medianet, Muve Music, Rdio, Iheart Radio, Xbox Live, Google Play, Nokia, And Emusic. Each of these music providers also have their own marketing departments. The way these companies make money is by selling music. You better believe that they are going to do their best to market their content in order to lure their target market and secure net profits.
With these reasons that I have stated above, I think that Tunecore should be a viable option for any artist no matter how famous or underground they are. Of all the ways an artist can distribute music, Tunecore seems to be the most cost effective, take the man out of the equation and do away with the old ways of major record labels that solely care about money and volume of sales. I really do think that Tunecore can change the way the whole world distributes music! Check them out!